Color. Louise E. Jefferson, the daughter of a calligrapher for the United States Treasury Department, was encouraged to draw from a young age. Her father taught her his craft at home and she later studied fine and commercial art in private lessons and at Howard University. She moved to New York to continue her education at the School of Fine Arts at Hunter College. In Harlem, Jefferson came in contact with other African-American artists and in 1935 she was a founding member of the Harlem Artists Guild, a program sponsored by the Works Progress Administration. A freelance job with the National Council of Churches’ publishing operation, Friendship Press, led to a full-time position. Jefferson eventually became the press’s art director. Jefferson was perhaps the first African-American woman to hold such a position in the publishing industry. Jefferson freelanced for major publishing houses, such as Viking and Doubleday, throughout her career. She was known as a designer of both skill and artistry.
pub_note
Color. Louise E. Jefferson, the daughter of a calligrapher for the United States Treasury Department, was encouraged to draw from a young age. Her father taught her his craft at home and she later studied fine and commercial art in private lessons and at Howard University. She moved to New York to continue her education at the School of Fine Arts at Hunter College. In Harlem, Jefferson came in contact with other African-American artists and in 1935 she was a founding member of the Harlem Artists Guild, a program sponsored by the Works Progress Administration. A freelance job with the National Council of Churches’ publishing operation, Friendship Press, led to a full-time position. Jefferson eventually became the press’s art director. Jefferson was perhaps the first African-American woman to hold such a position in the publishing industry. Jefferson freelanced for major publishing houses, such as Viking and Doubleday, throughout her career. She was known as a designer of both skill and artistry.
Pub Note
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