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Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Note
Shown in hemispheres.
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Author
Senex, John (c.1678-1740)
Note
John Senex was one of the leading mapmakers of his day. This General Atlas followed his larger folio atlas as a simplified format. The large amount of text describes the various parts of the world and is especially rich in its descriptions of America. Outline color on most maps. Dark brown leather boards with red label on spine with gilt text, "New General Atlas".
Author
[Martignoni, Girolamo Andrea, Tasniere, Barth. Joseph]
Note
Circular historical diagram of the Imperial Roman Empire, with 2 maps of the Mediterranean at the center. Though the diagram is dated 1718, this is the revised edition published in Rome by Antonio de Rossi, 1721. This complex graphic timeline depicts the development of the territories belonging to the Roman Empire, to include small birds-eye views of Constantinople, Madrid, Vienna, Rome, Paris, and London, with dozens of additional city names appearing in blank bubble, apparently in anticipation of views being added in subsequent states. In the lower half of the map, there are 6 coats of arms and many blank coats of arms, again apparently in anticipation of further engraving.
Production Place
[Paris, Europe, France, Western Europe]
Production Place
[Paris, Europe, France, Western Europe]
Production Place
[Paris, Europe, France, Western Europe]
Work Type
[Musical Instrument, Wind, Hunting horns, Hunting horn]
Carver
Foster, 1720-1732 (James I, James II, Hopestill)
Ornamental carving
Hourglass; Winged Skull
Stone type
Slate
Carver
Foster, 1720-1732 (James I, James II, Hopestill)
Ornamental carving
Winged Skull
Stone type
Slate
Carver
Emmes, Nathaniel
Ornamental carving
Crossbones; Winged Skull
Stone type
Slate
Carver
Lamson, 1709-1722 (Nathaniel, Caleb)
Ornamental carving
Pinwheels; Winged Face
Stone type
Slate
Carver
Gaud, John
Ornamental carving
Winged Skull
Stone type
Slate
Carver
Foster, James
Ornamental carving
Hourglass; Rosettes; Winged Skull
Stone type
Slate
Carver
Johnson, Thomas I (1690-1761)
Ornamental carving
Winged Face
Stone type
Sandstone
Carver
Hempstead, Joshua
Ornamental carving
Lettering Only
Stone type
Sandstone
Carver
Stanclift, William (1684-1761)
Ornamental carving
Rosettes
Stone type
Sandstone
Carver
Hartshorn(e), John
Ornamental carving
Face; Rosettes
Carver
Lamson, 1709-1722 (Nathaniel, Caleb)
Ornamental carving
Pinwheels; Winged Face
Stone type
Slate
Carver
Lamson, 1709-1722 (Nathaniel, Caleb)
Ornamental carving
Pinwheels; Winged Face
Stone type
Slate
Carver
Stevens, John II (1702-1778)
Ornamental carving
Winged Face
Stone type
Slate
Carver
Foster, 1720-1732 (James I, James II, Hopestill)
Ornamental carving
Hourglass; Winged Skull
Stone type
Slate
Carver
Foster, 1720-1732 (James I, James II, Hopestill)
Ornamental carving
Hourglass; Winged Skull
Stone type
Slate
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